Secrets of Vimanas - Part 4
References from Ancient Literature
According to Professor Dileep Kumar Kanjilal in his book, Vimana in Ancient India:
In addition to the Vaimanika Shashtra, the Samarangana Sutradhara and the Yuktikalpataru of Bhoja, there are about 150 verses of the Rig Veda, Yajurveda and the Atharvaveda, a lot of literary passages belonging to the Ramayana, the Mahabharata, the Puranas, the Bhagavata and the Raghuvamsa and some references of the darma Abhijnanasakuntalam of Kalidasa, the Abimaraka of Bhasa, the Jatalas. the Avadhana Literature and of the Kathasaritsagara and a number of literary works contained either references to graphic aerial flight or to the mechanism of the aerial vehicles used in old ages in India.
In the Ramayana both the words "Vimana" and "Ratha" have been used:
* Kamagam ratham asthaya...nadanadipatim (3. 35. 6-7). He boarded the aerial vehicle with Khara which was decorated with jewels and the faces of demons and it moved with noise resembling the sonorous clouds.
* You may go to your desired place after enticing Sita and I shall bring her to Lanka by air.. So Ravana and Maricha boarded the aerial vehicle resembling a palace (Vimana) from that hermitage.
* Then the demoness brought the Puspaka aerial vehicle and placed Sita on it by bringing her from the Ashoka forest and she was made to see the battle field with Trijata.
* This aerial vehicle marked with Swan soared into the sky with loud noise.
Reference to Flying vehicles as Vimana occur in the Mahabharata in about 41 places of which the air attack of Salva on Krisna's capital Dwaraka deserve special notice. The Asura king Salva had an aerial flying machine known as Saubha-pura in which he came to attack Dwaraka. He began to shower hails, and missiles from the sky. As Krishna chased him he went near the sea and landed in the high seas. Then he came back again with his flying machine and gave a tough fight to Krishna staying about one Krosa (about 4,000 ft) above the ground level. Krishna at last threw a powerful ground-to-air weapon which hit the plane in the middle and broke it into pieces. The damaged flying machine fell into the seas. This vivid description of the air attack occurs in the Bhagavata also. We also come across the following references to missiles, armaments, sophisticated war-machines and mechanical contrivances as well as to Vimanas in Mahabharata.
For more on Ramayana, refer to chapters Glimpses XIX, Hindu Scriptures, Dwaraka, War in Ancient India, Survarnabhumi and Sacred Angkor.
The inscriptions of emperor Asoka are by far the most authentic records in support of the existence of aerial flying vehicles which are mentioned as Vimana. The existence of aerial chariots in whatever form it might be was so well-known that it found a place among the royal edicts of the Emperor Asoka which were executed during his reign from 256 B.C.- 237 B.C.
Vatsyana in his Kama Sutra referred to mechanical contrivances in their origin among 64 ancilliary Sciences.
The Arthasastra of Kautilya (3rd century B.C), a treatise mainly dealing with political economy but containing information on kindred scientific topics refers to a class of mechanic known as Saubhika..."
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A discussion regarding the existence of and the use of flying vehicles in ancient India naturally waits for an advanced state of knowledge in cosmogony. A close and careful study of the Vedic literature shows that it was not just a collection of primeval poetry but a varied literature of a powerful and dynamic society where the people had the knowledge of cloud and vapor, of the season and of the monsoon, of the different types of wind, of the expanse of the sky, of the strength of the wind blowing at high speed and so on. Three types of cloud have been referred to in the Rig Veda (1.101.4). which also states that smoke and vapor surcharged with water turn into cloud. Formation of vapor through heat and the subsequent formation of cloud has been referred to in the Vedas. Indian meteorological concepts thus date back to the age of the Rig Veda.
Dileep Kumar Kanjilal concludes that: "With the passage of time and due to various changes of catastrophes the machines went out of use so that the secrets of its make-up and flying were equally lost. That the discontinuity of technical knowledge of a particular science within the known period of history is not an impossible factor has been shown by the inability to explore the nature of the rustless iron of the pillar of Chandraketu now fixed in Delhi. Hiuentzang, the Chinese pilgrim in the 7th century A.D. referred to 7 story palaces of which no evidence now remains. Sir P. C. Roy had shown that during the period from 1509 B.C. up to the end of the 3rd century B.C.E. methods for the large scale production of metals like gold, silver, copper, iron, tin, lead and mercury and of alloys like brass, bronze, and those of gold and silver with baser materials were known. Large varieties of mineral ores, gems, and precious stones have been described in detail by Kautilya. Knowledge of the fermentation process also reached a fairly advanced state. With a highly developed state of civilization flourishing in art, culture, literature, history, medicine, alchemy, chemistry, physics, mathematics, astronomy, and astrology, geology, trade, commerce, shipbuilding, and agriculture it is natural to think that some sort of flying vehicles as attested by literary references was in all probability known. From the time of Panini upto the time of Bhoja we come across references to the great universities of Taxila, Valabhi, Dhar, Ujjain and Visala etc. The annals of history inform us that the depredations of the foreign tribes began as early as the 2nd century A.D. From two centuries later came succeeding waves of attacks of other foreign hordes like the Arabs, Turks and Afghans. All the well known universities and other centers of learning like the temples, the Viharas and the Bhandaras containing books and other priceless treasures of the Indian heritage had to stand the fire and fury of the marauders. In the dark firmament of devastation and uncertainty a silver lining was, however, seen in the efforts of King Bhoja in the 12th century, when he tried to compile the Sanskrit texts. Glimpses of old heritage survived only in the memory of the people and in stray literary evidences. State patronization for Indian Hindu cultural enterprises in the Turk-Afghan/Islamic period was a misnomer."
The original designation of the flying machine was "Ratha" which gave way for the term "Vimana". The Samarangana Sutradhara unequivocally suggested that the design of the plane was imitated to construct palaces. It was built by the Rbhus for the Gods. Gods as pointed out by Sayana came from remote space in the sky above and the obvious conclusion is that Gods as newcomers on the earth from outer space brought in this technology. The texts of the Rig Veda ranging from the 1st-10th Manadal refers to aerial flying machines as Ratha. In the Yajurveda which is considered chronologically later than the Rg Veda followed by other Brahmanas, the name "Vimanas" occurs. These vehicles were multi-shaped. But the triangular or quadrangular pattern survived owing to their practical utility. Puspaka the aerial vehicel survived in use because of its practical usefulness. In the Vedic texts the configuration of the machines has been broadly shown as triangular. The inside area as it can be gathered from the text was about 9 ft X 9 ft. = 81 sq. ft capable of accommodating 7/8 persons. In a triangular delta wing type this can be easily be made conical to give it greater feasibility and maneuverability.
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The descriptions of the flying aerial cities in the Mahabharata seem to indicate a higher degree of scientific achievement and technical skill as the flying cities moved high up above the region of the clouds and very probably in the exosphere region. We have earliest temple design in a seal of the Harmika-sira temple built by King Hubiska at Buddha Gaya of the 1st century B.C.E. which is a rectangular based conical construction. The Virupaksa Temple of Pattakada, of 740 A.D. has a long rectangular base developed into a tapering square or hectagonal construction upwards imitate the Trivistapa type. The overall structural similarity of the temples with a modern helicopter gives overt cognizance to the Samarangana Sutradhara that temples were designed after the models of the flying machines. Even the giant Konaraka temple which resembles the chariot of Surya (Sun God) was of octagonal pattern on large rectangular base measuring 100 ft X 100 ft. X 100 ft. "
(source: Vimana in Ancient India - By Dileep Kumar Kanjilal Sanskrit Pustak Bhandar Calcutta 1985 p. 11-99). For more information, refer to chapter on Hindu Culture).
For more refer to chapters on Sanskrit and War in Ancient India. Also Refer to Vymanika Shashtra - Aeronautical Society of India.
For more on Ramayana, refer to chapters Glimpses XIX, Hindu Scriptures, Dwaraka, War in Ancient India, Survarnabhumi and Sacred Angkor.